Vincenzo Costanzo joined the children’s choir of the Teatro San Carlo in Naples at the age of six. He made his debut as a soloist at the age of 11 in a contemporary opera, again at the Teatro San Carlo. He studied piano and solfège in a private school, and then obtained his degree at the local conservatory. At the same time, he graduated in Computer Engineering, continuing his singing studies with Marcello Ferraresi, and then perfecting his skills with Piero Giuliacci. Despite his young age, Vincenzo Costanzo has already won an Oscar Della Lirica (New Generation Tenor award) in Doha (Qatar) in 2014, and has had the opportunity to work with internationally renowned directors and conductors such as Myung-whun Chung at the Teatro La Fenice in Venice and in Tokyo, James Conlon at the Teatro Real in Madrid, Emma Dante at the Teatro Massimo in Palermo, Daniel Oren and Franco Zeffirelli at the Arena di Verona and Liliana Cavani at the Gran Teatre del Liceu in Barcelona. His most recent engagements include Un Ballo in Maschera, Simon Boccanegra (Gabriele Adorno), Tosca (Cavaradossi), Maurizio Di Sassonia in Adriana Lecouvreur and Madama Butterfly (Pinkerton).
Dear Vincenzo, thank you for accepting our invitation! Now you are at Sabbioneta, at Teatro all’Antica, for a new project: Giuseppe Verdi’s La Traviata, alongside Elisa Balbo and Luca Micheletti. What can you tell us about this project? How did this idea come about? How is it going on so far?
Hello, dear readers of OPERA Charm. A few days ago we finished the shooting of La Traviata in the suggestive theater of Sabbioneta. It has been a wonderful experience, but unfortunately I can’t release any information about it because the project has not been announced yet. I can only give you a little spoiler: the technology used for audio and video shooting is totally innovative and unprecedented. You’ll hear about it soon.
To go a bit backwards: when did you feel for the first time that opera is your path and who are those who guided your first steps towards the stage? What’s the moment that you consider to be the actual beginning of your career?
In my family I am the only musician and artist. I have felt a vocation within me since I was a child. I took my first steps on stage at the age of 9 at the San Carlo Theatre in Naples and I identify the beginning of my career with the victory of the Voci Verdiane award in Busseto at the age of 21.
You had the chance to work with Daniel Oren, Franco Zeffirelli, Andrea Battistoni, Leo Nucci, Juraj Valcuha, Giampaolo Bisanti, Francesco Ivan Ciampa and many others. What each “gesture” has thought you and which of them had the most important impact on you as an artist until now?
I have been lucky enough to be part of the opera world since I was very young and every single person I have met during my journey has enriched me as a man and an artist. I could name a thousand episodes that have made me understand the sacrifice and dedication necessary for this ancient art.
Read the entire interview here, in the 3th/2022 issue of OPERA Charm Magazine.0