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George Vîrban

Posted by Bianca L. Nica on 19 August 202019 August 2020
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Posted in Young Artist Portrait
Tagged in George Vîrban, OPERA Charm Magazine, Tenor, Young Artist Portrait

OPERA Charm Magazine

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Opera and its Charming World.✨
💻 @biancalnica
🎨 @oanazf
🔬 @snow_feathers
📝 @alice.lechner1
📱 @viviananebuloni

OPERA 𝓒𝓱𝓪𝓻𝓶 Magazine
«Art will always find a way», says our dear Elis «Art will always find a way», says our dear Elisa in her interview for the 7th issue of OPERA Charm Magazine and we truly hope she’s right, so we will soon be able to see her and listen to her in a live performance. Meanwhile, we want to thank her for her kindness & friendship and we want to invite to read her interview, which you can find by clicking on the link bellow! Enjoy & have a wonderful December!❄️ 🔗www.opera-charm.com/elisa-balbo-art-will-always-find-a-way/ 💻 Bianca L. Nica 🎨 Viviana Nebuloni #operasingersofinstagram #elisabalbo #soprano #operacharm #exclusiveinterview
‼️CHE FINE HA FATTO IL MIO RESPIRO⁉️ Uno s ‼️CHE FINE HA FATTO IL MIO RESPIRO⁉️ Uno studio sul Covid-19. Qual è l'impatto della malattia sul cantante e qual è la sua via d'uscita? Sta succedendo proprio adesso, là fuori. 🔗Link in bio! “Verso la fine di ottobre 2020 sono stato infettato dal Covid-19. Il 3 novembre 2020 ho cantato la mia ultima performance come Cavaradossi, dopo due giorni di digiuno involontario. Non potevo mandar giù niente. E poi la situazione è degenerata ancor più. Cosa succede a questo punto? Si guarisce molto lentamente. Come può aiutarmi il mio medico? Come può aiutarmi il mio psicologo? E il mio personal trainer? E il mio collega cantante e il mio insegnante di canto? È una questione di vitale importanza. Sta dilagando anche in questo preciso momento. Ci sono cantanti che si ammalano, cantanti che si riprendono. E poi la guarigione. Abbiamo bisogno di tutto l'aiuto che possiamo ottenere, di informazioni specifiche mediche di base, di un percorso psicologico e di una spinta motivazionale, nonché di una scheda di esercizi fisici mirati. E infine, di una guida alla guarigione della respirazione di un cantante. Questo è il mio obiettivo, confido nel vostro aiuto, miei cari e stimati colleghi. Per favore aiutami a completare la guida per la guarigione della respirazione di un cantante.” - Prof. Marius Vlad Budoiu Rispondi a questo importantissimo sondaggio! Si tratta di un test anonimo inteso a raccogliere informazioni specifiche sui cantanti e sulla loro lotta contro il Covid-19. Combattiamo insieme per la nostra guarigione e per quelli che purtroppo ma sicuramente si ammaleranno! #covid_19 #covid #operasingersofinstagram #operasinger #breathingexercises #breathingexercises #pleaseshare #research
📣WHERE DID MY BREATH GO?! 🔗Link in bio! The 📣WHERE DID MY BREATH GO?! 🔗Link in bio! The Professional singer's Covid-19 experience, a study in progress by Prof. Marius Vlad Budoiu. What’s the disease’s impact on the singer and what’s his way out. It is happening now. “Sometime late October 2020 I got infected with Covid19. On the 3rd of November 2020, I sang my latest Cavaradossi, after two days of involuntary fasting. I already couldn’t eat anything. And then it all went south. For you can get the help you need only after you are confirmed Covid-19 positive. I was confirmed positive only on the 12th of November. And I didn’t eat anything for about two weeks and lost about 9 kg. Do you know those weather forecasts where they tell you the temperature is 5 below, but it feels like 15 below? My lungs were 50% obstructed, but the feeling was all I could breathe was a coffee cup of air… I was in panic and I could barely stand. Close to passing out every time I moved. I was feeling the end coming my way. And there were much worse than I was…” Let’s fight together for our recovery and of those that will sadly but surely follow! Please help me develop the singer’s breathing recovery guide, by filling in & SHARING this very important survey! This is an anonymous survey meant to gather specific information about singers and their struggle with the Covid-19 disease: https://forms.gle/diE78dzmCVr3f4P47 A preview of the article, on the OPERA Charm Magazine's website: www.opera-charm.com/where-did-my-breath-go/ #covid19 #opersingersofinstagram #breathingexercises #breathtaking #research #pleaseshare #covid_19
✨We are honored to announce that the protagonist ✨We are honored to announce that the protagonist of your rubric, Charming beginnings of the 7th issue of our magazine is the Italian bass Francesco Leone.✨ Charming beginnings represents an updated version of what we had before as Young Artist Portrait - basically, the rubric that is dedicated to the young talents of the opera world, edited by our newest collaborator Viviana Nebuloni. Born in Cagliari, he began his musical studies at the Giovanni Pierluigi da Palestrina Conservatory in his hometown, studying the classical guitar under the guidance of Luigi Attademo and the lyric singing and the guidance of Elisabetta Scano. He subsequently perfected his technique with Francesco Piccoli, Luciana Serra and Bernadette Manca di Nissa. In 2014, he stepped on the stage of Teatro Lirico di Cagliari in Tosca, under the baton of M° Gelmetti, in the production of Joseph Franconi Lee, but also in La Traviata, under the baton of M° Renzetti, directed by Karl Ernst and Ursel Herrmann, and many other titles. In 2016, he performed the role of Alcindoro in La Bohème at Teatro Lirico di Cagliari, where, in 2017, he also performed the role of the Count Ceprano in Rigoletto, with Leo Nucci in the title role, conducted by M° Renzetti. In the same theater, he performed the role of Antonio in Le Nozze di Figaro and the role of Jack Wallace in La Fanciulla del West. He performed Umberto in La Serva Padrona by Giovanni Paisiello in Palermo, conducted by M° Corazza, and Dottor Grenvil in La Traviata at the Amman Opera Festival in Jordan. He was the soloist of Petite Messe Solenelle at Teatro Lirico di Cagliari and performed also the roles of Haly (L’Italiana in Algeri), Norton (La Cambiale di Matrimonio) at Ente Concerti “Marialisa de Carolis” in Sassari, Colline (La Bohème) at Filarmonico in Verona. He was part of the cast of Salome at Teatro Comunale di Bologna, where he will return in La Traviata, Lucrezia Borgia and La Bohème. #francescoleone #operasingersofinstagram
✨Dear friends, the editorial staff of the magaz ✨Dear friends, the editorial staff of the magazine has decided to invite you to participate to "My Page", a contest created specifically to allow you to open a window on your vision of the theater, on your experiences related to the opera, its use and its importance in your life. On the last page of Opera Charm Magazine we will publish the photo we prefer among those in which we are tagged. So, if you want to participate, tag us in your posts related to theater and opera, we will share you again! This month's winner is @michele__raggi! @fondazioneteatripiacenza #operacharm #contest #operasinger #operasingersofinstagram #charming #tagus #followus
“Today we live in the age of the Internet and I “Today we live in the age of the Internet and I love the opportunity to be in contact with my fans because they give me strength to continue”, says Maria Mudryak in the Exclusive Interview she offered to Viviana Nebuloni for the 7th issue of OPERA Charm Magazine. In just a few years young soprano Maria Mudryak (born in 1994 in Kazakhstan ) has become one of the most sought after lyric coloraturas of her generation, having already celebrated successes in roles such as Violetta in «La Traviata», Mimì in «La Bohème», Marguerite in «Faust» and Liù in «Turandot» at some of the most prestigious international opera stages. Among her recent performances are Mimì in a new production of «La Bohème» at the Maggio Musicale Fiorentino, where she also performed the role of Violetta in «La Traviata». Her role debut as Liù took place at the Shaanxi Grand Theatre in China and as Gilda, at the Teatro Carlo Felice di Genova alongside Leo Nucci. She was also Violetta in a new production of «La Traviata» at the Teatro San Carlo di Napoli and at the Teatro Carlo Felice di Genova, Mimi in a new staging of «La Bohème» for her debut at the Bolshoi Theatre and Violetta again at Arena di Verona in Verdi Opera Night. Maria Mudryak was a winner of the 65th Aslico Competition for European Young Singers and the and of Plácido Domingo's prestigious Operalia Competition in 2017 and won the Audience Price. 🔗 www.opera-charm.com/maria-mudryak/ 💻Interview by Viviana Nebuloni 🎨Viviana Nebuloni #mariamudryak #operacharm #exclusiveinterview #operasingersofinstagram #soprano
✨IT’S ONLINE💖 Here se are, in front of the ✨IT’S ONLINE💖 Here se are, in front of the 7th issue of our Magazine, better late, then basic, am I right? Anyhow, starting with the 7th issue of OPERA Charm Magazine, we are honoured and excited to bring some improvements to our charming work, which are represented mostly by our new permanent collaboratore, Viviana Nebuloni, the new editor of the rubric Charming beginnings, but not only. Viviana brings to OPERA Charm all her creativity and her communication skills, offering you also some interesting new chat topics at the end of the magazine - check it out! The new rubric, Charming beginnings (an updated version of our previous Young Artist Portrait) brings Francesco Leone in our magazine, an invitation I knew I had to make ever since I’ve listen to him during the rehearsals of Verdi’s Macbeth at Festival Verdi - truly an enchanting presence! As for the interviews of these issue, I have not enough words to express what it means for us having Maria Mudryak, Elisa Balbo, Sofìa Esparza and Federico Longhi as our guests, but we certainly couldn’t have had more charming choices! Also, I want to express my gratefulness and the honour to have an artist as Saioa Hernández on the cover of this issue, an artist with capital letters and a gorgeous human being. What can I say? I guess charming souls attracts each other! Since this Magazine couldn’t have developed in this charming direction without my beloved, and now enlarged, team, I would like to thank them again from the bottom of my heart, as I always do without the fear of repeating myself! Still with lots of love from Parma, I can only advice you to stay tuned and, until them, to enjoy reading! Warm greetings, @biancalnica OPERA✨Charm✨Magazine, no.7/2020 brings you #ExclusiveInterviews of @hernandezsaioa, @maria_mudryak, @sofiaesparzasoprano, @elisabalbo, @fedelonghi, the protagonist of the “Charming beginnings”, @fra.ncescoleone & so many other articles, in collaboration with @arvunesculuminita, Cristian Sandu, @viviananebuloni, @alice.lechner1! 🔗www.opera-charm.com/no7october/ #operasingersofinstagram #saioahernandez #mariamudryak #sofíaesparza #elisabalbo #federicolonghi #operacharm
✨IT’S ONLINE💖 Here se are, in front of the ✨IT’S ONLINE💖 Here se are, in front of the 7th issue of our Magazine, better late, then basic, am I right? Anyhow, starting with the 7th issue of OPERA Charm Magazine, we are honoured and excited to bring some improvements to our charming work, which are represented mostly by our new permanent collaboratore, Viviana Nebuloni, the new editor of the rubric Charming beginnings, but not only. Viviana brings to OPERA Charm all her creativity and her communication skills, offering you also some interesting new chat topics at the end of the magazine - check it out! The new rubric, Charming beginnings (an updated version of our previous Young Artist Portrait) brings Francesco Leone in our magazine, an invitation I knew I had to make ever since I’ve listen to him during the rehearsals of Verdi’s Macbeth at Festival Verdi - truly an enchanting presence! As for the interviews of these issue, I have not enough words to express what it means for us having Maria Mudryak, Elisa Balbo, Sofìa Esparza and Federico Longhi as our guests, but we certainly couldn’t have had more charming choices! Also, I want to express my gratefulness and the honour to have an artist as Saioa Hernández on the cover of this issue, an artist with capital letters and a gorgeous human being. What can I say? I guess charming souls attracts each other! Since this Magazine couldn’t have developed in this charming direction without my beloved, and now enlarged, team, I would like to thank them again from the bottom of my heart, as I always do without the fear of repeating myself! Still with lots of love from Parma, I can only advice you to stay tuned and, until them, to enjoy reading! Warm greetings, @biancalnica OPERA✨Charm✨Magazine, no.7/2020 brings you #ExclusiveInterviews of @hernandezsaioa, @maria_mudryak, @sofiaesparzasoprano, @elisabalbo, @fedelonghi, the protagonist of the “Charming beginnings”, @fra.ncescoleone & so many other articles, in collaboration with @arvunesculuminita, Cristian Sandu, @viviananebuloni, @alice.lechner1! 🔗www.opera-charm.com/no7october/ #operasingersofinstagram #saioahernandez #mariamudryak #sofíaesparza #elisabalbo #federicolonghi #operacharm
✨Have you ever read the Exclusive Interview of A ✨Have you ever read the Exclusive Interview of Anita Rachvelishvili, the cover artist of the 6th issue of OPERA Charm Magazine?!✨ According to Mº Riccardo Muti she is "without doubt, the best Verdian mezzo-soprano today on the planet”. Born in Tbilisi, the capital of Georgia, she studied piano at the Mukhran Machavariani School and singing at the Vano-Sarajishvili Conservatory under the guidance of Manana Egadze. She received a scholarship from the president of Georgia and in 2007, she won the Paat Burchuladze Prize. She made her operatic debut, while she was still at student of Conservatory, at the Opera in Tbilisi as Maddalena in “Rigoletto” and as Olga in “Evgheni Oneghin”. She became internationally known when, on December 7th, 2009, the opening night of Teatro alla Scala's season, she performed the title role of “Carmen” alongside Jonas Kaufmann, in a production staged by Emma Date, under the baton of MºDaniel Barenboim. Her repertoire includes major Verdi operas, but also some French titles such as “Carmen” and “Samson et Dalila”. The season 2020/21 brought her back at Teatro alla Scala as Amneris from Aida, alongside Saioa Hernandez (Aida), Francesco Meli (Radames) and Amartuvshin Enkhbat (Amonasro) conducted by Riccardo Chailly, also in Amsterdam with the same role, at Wiener Staatsoper as Carmen, in Arena di Verona and at Bayrische Staatsoper, München as Amneris. 🔗https://opera-charm.com/no6october/ 💻Interview by Bianca L. Nica 🎨Viviana Nebuloni #operasingersofinstagram #mezzosoprano #amneris #aida #giuseppeverdi #teatroallascala #operacharm #anitarachvelishvili
✨International Day for the Elimination of Violen ✨International Day for the Elimination of Violence against Women✨ #25novembre #eliminationviolenceagainstwomen #violenzasulledonne #women #girlspower #latraviata #operasingersofinstagram #operasinger #giuseppeverdi
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