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OPERA Charm Magazine

operacharm.magazine

Opera and its Charming World.✨
Since April ‘20
Founder: @biancalnica
Graphic Designer: @oanazf
English Advisor: @snow_feathers
Editor: @aliiiiice.03

📣Il carismatico e simpaticissimo amico di OPERA

📣Il carismatico e simpaticissimo amico di OPERA Charm Magazine, @claudiosgura ha un messaggio per voi!😍 Ti ringraziamo, carissimo Claudio!

Troverete la sua intervista nel 6° numero di OPERA Charm Magazine.🥰

🔗 https://opera-charm.com/claudio-sgura/

#claudiosgura #operacharm #baritono #operasingersofinstagram #friend

How’s studying going?🤓 Post by @m_antonia_

How’s studying going?🤓

Post by @m_antonia_

#study #music #musicnotes #flowerpower #foowers #rainyday #vintage #vintagestyle #cosy #cosyhome #instagram #instamood #instagood #operacharm #operasinhersofinstagram #musiciansofinstagram

✨ELENA MOȘUC, 30 years of international career✨

Three decades of exemplary career for the artist – born in Iași and established in 1991 in Switzerland, in Zurich – a career built conscientiously, with iron patience, determined… Elena Mosuc! But now, when all is said and done, how did Elena Mosuc’s career start?
The Romanian musicologist Arvunescu Luminita tells us all about it, about the 30 years of international career of the soprano Elena Moșuc, which were supposed to be celebrated on March 27th, with a gala concert at the Romanian Broadcasting Hall in Bucharest – a concert postponed because of the Covid 19 Pandemic for October 9th and again rescheduled for the fall, next year.

Read the entire article about a legend of the opera world in the 6th issue of OPERA Charm Magazine!

🔗 https://opera-charm.com/elena-mosuc-30-years-of-international-career/

#operasingersofinstagram #elenamoșuc #operacharm #soprano #anniversary

Thank you for the amazing feedback & support for o

Thank you for the amazing feedback & support for our 6th issue!🤩❤️

OPERA✨Charm✨Magazine, no.6/2020 brings you #ExclusiveInterviews of @anitarachvelishvili, @abrina2016 , @claudiosgura, @paoloarrivabeni, @antoniodimatteobass, while the #YoungArtistPortrait will be dedicated to the young Romanian #soprano @diana.soprano & the #Conductor of the Future this time will be @andrei_zapsa, an anniversary article about @elena_mosuc beautifully written by the musicologist @arvunesculuminita & an editorial about my #VerdianExperience & the 20th edition of #FestivalVerdi.

Enjoy,
Bianca L. Nica

🔗www.opera-charm.com/no6october/

#theatre #singer #anitarachvelishvili #musiciansofinstagram #interview #operasinger #instaopera #sopranolife #operasingers #tenor #soprano #operalover #operahouse #musician #operasingersofinstagram #paoloarrivabeni #antoniodimatteo #annamariachiuri

#OPERACharmcommunity

✨HAPPY BIRTHDAY, ANNALISA STROPPA!🎂🥂 Anna

✨HAPPY BIRTHDAY, ANNALISA STROPPA!🎂🥂

Annalisa Stroppa is one of the most distinguished young mezzo-sopranos, having conquered the world’s most prestigious opera houses in just a few years. She studied singing at the Conservatory “L. Marenzio” of Brescia. She made her professional operatic debut in Mozart’s “La Betulia liberata” at the Salzburg Festival conducted by Riccardo Muti in the 2009/10 season. This was quickly followed by leading roles, including the title role of “Carmen”. Her international breakthrough took place in 2011, when she performed Cherubino in “I due Figaro” at the Salzburg Festival conducted by Riccardo Muti. This role also led her to the Teatro Real Madrid and the Teatro Colon of Buenos Aires. Highlights of 2019-20 season include Fenena in “Nabucco” at the Festival Verdi in Parma, the title role of “La Cenerentola” at the Staatsoper Hamburg, Rosina in “Il barbiere di Siviglia” at the Bayerische Staatsoper Munich, in Genoa, Budapest and Savonlinna, Verdi’s “Messa da Requiem” with the Berlin Philharmonic Orchestra at the Philharmonie of Berlin and with the MusicAeterna Orchestra at the Saint Petersburg Philharmonia.

📣More about the beginning of her career, about her thoughts & wishes for the future, coming soon in an interview that we published in the 4th issue of OPERA Charm Magazine. We wish a very happy birthday to our sweet & beloved friend, the mezzosoprano Annalisa Stroppa!💕

🔗 www.opera-charm.com/annalisa-stroppa/

#annalisastroppa #operasingersofinstagram #operacharm #mezzosoprano #birthday

There we are again, in front of the 6th issue of O

There we are again, in front of the 6th issue of OPERA Charm Magazine, maybe the most voluminous one until this moment, containing 5 interviews with 5 top personalities of the opera world, with a much desired cover and new friend of ours, Anita Rachvelishvili, and a few other interesting topics, as, I hope, we already got you used to. The link with Festival Verdi is still present, since I allowed myself to write sort of a diary of my experience here, as much as the words can express certain emotions - mostly the one of returning into the opera house after more than 7 months! -, and it will continue with other surprises in our 7th issue, but, of course, I don’t to jinx it!

Since this Magazine couldn’t have developed in this charming direction without my beloved team - Alice Lechner, Oana Zamfir, Alina Tomi - I would like to thank them again from the bottom of my heart, as I always do without the fear of repeating myself, and to assure you that new members are about to be revealed, which means that new concepts are on their way to you! I want to dedicate this issue of the Magazine to my mother, who always supports me and tries to understand my crazy and spontaneous approach of every situation in my life and whose birthday is today.

Still with love from Parma, I can only advice you to stay tuned and, until them, to enjoy reading!

OPERA✨Charm✨Magazine, no.6/2020 brings you #ExclusiveInterviews of Anita Rachvelishvili-Maisuradze, Anna Maria Chiuri, Claudio Sgura - baritono, Paolo Arrivabeni, Antonio Di Matteo, while the #YoungArtistPortrait will be dedicated to the young Romanian #soprano Diana Elena Vornicu & the #Conductor of the Future this time will be Andrei Zapșa, an anniversary article about Elena Mosuc - Official Site beautifully written by the musicologist Arvunescu Luminita & an editorial about my #VerdianExperience & the 20th edition of #FestivalVerdi.

Enjoy,
Bianca L. Nica

🔗www.opera-charm.com/no6october/

#operasingersofinstagram #anitarachvelishvili #claudiosgura #paoloarrivabeni #operacharm #festivalverdi #regioparma #annamariachiuri #antoniodimatteo

Office of the day🥂 #operacharm✨ #italy #ital

Office of the day🥂
#operacharm✨

#italy #italia #igersitalia #igersravenna #loves #ravennatourism #photooftheday #wine #sunset #emiliaromagna #myravenna #ravennacentro #italy🇮🇹 #romagna #picoftheday #teatroalighieri #operasingersofinstagram

💥SPOILER ALERT💥 We are proud to have the ba

💥SPOILER ALERT💥

We are proud to have the bass Antonio Di Matteo interviewed in our 6th issue, which is about to be released in only a few days!⚡️

The Italian bass Antonio Di Matteo studied at the Conservatory of Salerno "Giuseppe Martucci" and is one of the most promising talents of his generation, thanks to his soft vocal colour. After participations in many Masterclasses by Walter Alberti, Thomas Hampson, Bonaldo Giaiotti and Renata Scotto, he is currently studying with Maestro Tommaso Monaco. To mention the most important titles of his repertoire, we could name Attila (Pope Leo), Adriana Lecouvreur (Prince of Boullion), Tosca (Cesare Angelotti), Francesca da Rimini (Guido), Un Ballo in Maschera (Tom), Aida (Ramfis & Il Re), La traviata, Rigoletto (Sparafucile), Die Zauberflöte at the Sferisterio of Macerata, in the new production of Graham Vick, La bohème (Colline), I Lombardi alla prima crociata (Pirro), I Puritani (Gualtiero Valton), Simon Boccanegra, Il Trovatore (Ferrando), Norma (Oroveso), Turandot (Timur), but also Don Giovanni (Il Commendatore) and Nabucco (The Grand Priest). During the 2014-2015 season, he performed Macbeth (Banco) at Teatro Petruzzelli in Bari under the direction of M° Fabrizio Maria Carminati. As for the vocal-symphonic repertoire, Messa da Requiem by Giuseppe Verdi, Stabat Mater by Paisiello, Requiem by Liszt. Recent performances include Rusalka (Cacciatore), Otello, under the baton of M° Nicola Luisotti at the Teatro di San Carlo in Napoli, Nabucco (The Grand Priest) in Rimini, Don Giovanni (Il Commendatore) in Modena, Piacenza and Lucca, under the guidance of M° Aldo Sisillo.

🔗www.opera-charm.com/no6october/

#antoniodimatteo #exclusiveinterview #operacharm #bass #operasingersofinstagram

💥SPOILER ALERT💥 We are proud to have the co

💥SPOILER ALERT💥

We are proud to have the conductor Paolo Arrivabeni interviewed in our 6th issue, which is about to be released in only a few days!😻

Focusing his activity on the operatic repertoire, Paolo Arrivabeni collaborates with the most prestigious European opera houses, such as: Berlin Staatsoper and Berlin Deutsche Oper, Wiener Staatsoper, Leipzig Opernhaus, Zürich Opernhaus, Bayerische Staatsoper in Munich, Semperopern in Dresden, Grand Theatre de Geneve, Opéra Bastille in Paris, Opéra de Lausanne, Théâtre du Capitole in Toulouse, Opéra de Montecarlo, Teatro Nacional de Sãn Carlos in Lisbon, Teatro de La Maestranza in Sevilla, Théâtre Municipal de Marseille, Teatro Comunale in Bologna, Teatro Massimo in Palermo, Teatro La Fenice in Venice, New Nationa Theatre in Tokyo and Santa Fe Opera. M° Arrivabeni is frequently invited to conduct numerous orchestras in Italy and abroad, with a repertoire that includes 19th century Italian opera, particularly by Rossini, Donizetti and Verdi. He is also interested in Russian and German composers, conducting operas by Wagner, Strauss and Musorskij.
Paolo Arrivabeni has been the Music Director of the Opéra Royal de Wallonie from 2008 to 2017. M° Arrivabeni recently returned to the Rossini Opera Festival in Pesaro conducting Demetrio e Polibio, Macbeth in Cagliari, I due Foscari at the Festival Verdi in Parma, opening the 2019 edition.

🔗www.opera-charm.com/no6october/

#paoloarrivabeni #exclusiveinterview #operacharm #conductor #operasingersofinstagram

💥SPOILER ALERT💥 We are proud to have the ba

💥SPOILER ALERT💥

We are proud to have the baritone @claudiosgura interviewed in our 6th issue, which is about to be released in only a few days!😻

Claudio Sgura is one of today’s foremost Italian dramatic baritons. He has electrified audiences throughout the world with his performances of Verdi and Puccini’s roles.
Born in Puglia, Italy, Sgura began his vocal studies in Lecce with soprano Maria Mazzotta. After coming to international attention at the prestigious competition „Voci Verdiane“ in Busseto in 2006, he made his professional debut at the Teatro alla Scala in Milan as Sharpless from Puccini’s opera, Madam Butterfly, under the musical direction of Myung Whun Chung.
Since then he performed everywhere over the world like London (La fanciulla del West), Wien (Tosca), Paris (La fanciulla del West and La Gioconda), Zurich (La Fanciulla del West), Munich (Otello), Tokyo (Aida), Parma (Il Trovatore and Il due foscari), Verona (Tosca), Napoli (Aida, Luisa Miller, Lucia di Lammermoor), Sydney (Otello), New York (Tosca), Bilbao (Giovanna d’Arco), Oslo (Macbeth and Tosca) and many others.
He returned at La Scala in 2011 as Alfio in a new production by Mario Martone of Cavalleria Rusticana conducted by Daniel Harding and in 2016 for La Fanciulla del West conducted by Riccardo Chailly.
After the lockdown, he was one of the first singers who start singing again. He was part of an incredible cast of Aida at Napoli. He sang Amonasro alongside Anna Pirozzi (Aida), Jonas Kaufmann (Radames), Anita Rachvelishvili (Amneris) and Roberto Tagliavini (Ramfis).
Also he performed at Festival Verdi ✨Sparks of Opera✨ in the concert entitled Fuoco di Gioia.

#claudiosgura #exclusiveinterview #operacharm #baritone #operasingersofinstagram

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New articles

Elena Moșuc:
30 years of International Career
The 2020 George Enescu Competition – New Format due to the global situation generated by Covid-19
Opera in Books: Midsummer Nights
Conductors of the future:
Andrei Zapșa
Young Artist Portrait:
Diana-Elena Vornicu

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